By Rahman Dukes

Happy Born Day to the “Punch Line King” Lloyd Banks, who turns 28 today. Banks, aka Boy Wonder, aka Blue Hefner, has a lot to celebrate this year. He has a smash record, “Beamer, Benz or Bentley,” arguably the hottest independent record label, G-Unit Records, and he’s in the midst of a bidding war between labels who are vying to release the follow-up to his 2004 debut classic, Hunger For More.

As a Southside, Jamaica Queens native, I’ve had the pleasure of watching Banks’ career blossom. His success is nothing new to any cat from Queens, who will tell ya we breed Kings from the borough (Run DMC, LL Cool J, Nas, 50 Cent, Lost Boyz, Onyx, Kool G. Rap, The Juice Crew, to name a few.)

In my early days at MTV, I had the pleasure of receiving frequent visits from famed producer Sha Money, who would bring me early G-Unit mixtapes. That relationship led to myself and MTV breaking the news that 50 Cent had made a major move by signing on with Eminem. My history with the Unit goes back like beads on Stevie Wonder’s braids in the 70’s.

One guy that’s always stuck out in the Unit was Banks, thanks to that voice and impeccable flow, a signature sign of any great rapper. A legend, as we call it in the game.

Me and big homey S. Dot had the pleasure of visiting Banks and Whoo Kid on Thursday (April 29) night just before LB tore down the Nokia Theater. “Beamer, Benz and Bentley” has the god set up perfectly. I couldn’t have said it better than how PLK put it last night onstage, “I’m the hottest n—a in New York right now.”

So again, happy born day to the god Lloyd Banks, who today, is celebrating Wisdom, Build and Destroy. Salute!


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While the first disc contains the album’s original 12 tracks, it’s the second disc that surely will have fans salivating, as you can use this new version to actually hear how this album evolved into yielding such Cure classics as ‘Love Song,’ ‘Pictures of You’ and ‘Fascination Street.’

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In celebration of their latest two (Saturday night) mix CDs and the fact that the curators of said mixes ( DJ T. & Optimo ) are both playing at Fabric next Saturday we have one of each mix plus a pair of guestlists for the night up for grabs.

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By Joel Hanek

I love the Black Keys. I also love dinosaurs. Which is why I really love the Keys’ brand-new video for “Next Girl.”

See, the clip — which, in theory, is meant to promote the Akron, Ohio duo’s upcoming Brothers album (due May 18) — stars a Tyrannosaurus Rex hand puppet named Frank (who actually appeared in the first video off the album, “Tighten Up,”) a bunch of scantily-clad ladies and absolutely zero members of the Black Keys. It is either an act of cheeky self-awareness or punkish defiance, I’m not sure which.

Anyway, in the “Girl” video, Frank scuttles around, lip-syncs a whole lot and then macks on some ladies in a hot tub, while passive-aggressive captions stream along the bottom of the screen (“This is an attempt by the record label to attract attention to the band using a ridiculous dinosaur puppet.”) It sort of looks like a rap video, as directed by Sofia Coppola. And The track itself is pretty great, too … a return to the Keys’ classic form with dominating distorted guitar-scapes, and backing vocals from Blakroc (that’s their Dame Dash-approved hip hop collaborative project) fave Nicole Wray.

You can take a look at the video over on the Black Keys’ official site, and catch them this summer as the opening act on the Kings of Leon’s summer tour. No word on whether or not Frank — or his scantily-clad ladies — will be appearing with them.


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